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dc.contributor.authorFebrer-Coll, Eulalia
dc.date2025
dc.date.accessioned2026-01-19T09:45:35Z
dc.date.available2026-01-19T09:45:35Z
dc.identifier.citationFebrer-Coll, E. (2025). Music in Esports: On the Convergence of the Music and Gaming Industries. Routledge. https://doi.org/10.1201/9781032625362es_ES
dc.identifier.isbn9781032625355
dc.identifier.isbn9781032625348
dc.identifier.isbn9781032625362
dc.identifier.urihttps://reunir.unir.net/handle/123456789/18753
dc.description.abstractThis book invites the reader to expand their idea of esports as an independent niche and consider it an integral part of a growing multi‑ and transmedia ecosystem that includes the global entertainment industry, where music plays an essential role. The music present in and around esports games is an integral part of how they are communicated and mediated and, as such, holds a central role in binding their narratives cohesively and coherently to appeal to their audiences. Popular music theory is placed at the foundation of the issues raised in the chapters, as it is taken as a cornerstone for linking the esports international scene with the music industry. This text uses specific case studies from popular esports to support and illustrate each chapter, including League of Legends, Counter‑Strike, and Fortnite. This book will be of great interest to researchers and students in the fields of esports, game design and development, musicology, and media studies.es_ES
dc.language.isoenges_ES
dc.publisherRoutledgees_ES
dc.relation.urihttps://www.taylorfrancis.com/books/mono/10.1201/9781032625362/music-esports-eulalia-febrer-coll?refId=17c89f5d-0061-4461-8d6d-8279ff289539&context=ubxes_ES
dc.rightsrestrictedAccesses_ES
dc.subjectmusices_ES
dc.subjectesportses_ES
dc.subjectgaming industryes_ES
dc.titleMusic in Esports: On the Convergence of the Music and Gaming Industrieses_ES
dc.typebookes_ES
reunir.tag~OPUes_ES
dc.identifier.doihttps://doi.org/10.1201/9781032625362


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