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dc.contributor.authorGalván-Álvarez, Enrique
dc.contributor.authorGalván, Fernando
dc.date2020
dc.date.accessioned2024-07-17T13:58:04Z
dc.date.available2024-07-17T13:58:04Z
dc.identifier.citationGalvan-Alvarez, E., & Galván, F. (2020). Coetzee’s Foe and Borges: An Intertextual Reading. Critique: Studies in Contemporary Fiction, 62(3), 319–333. https://doi.org/10.1080/00111619.2020.1822772es_ES
dc.identifier.issn0011-1619
dc.identifier.issn1939-9138
dc.identifier.urihttps://reunir.unir.net/handle/123456789/16935
dc.description.abstractFoe (1986) is one of the most ambiguous and controversial novels written by J.M. Coetzee, and has been discussed extensively by criticism from a great variety of theoretical positions. This essay purports to contribute another intertextual reading of the novel, trying to elucidate some of its dark points, particularly section IV, which has been so much debated and for whose ambiguity no wholly satisfactory explanation has so far been produced. Our main contention is that, in addition to Borges’s narratives “Pierre Menard, Author of the Quixote” (in Fictions, 1944) and “Borges and I” (in The Maker, 1960), Coetzee’s novel can benefit from a parallel reading of other Borgesian tales, particularly “Brodie’s Report” (1970) and “The Writing of the God” (1949), among others. Borges’s gnosticism is clearly followed by Coetzee, who has explicitly acknowledged his interest in the ethical and esthetic motivations that lie in some of Borges’s most mysterious stories.es_ES
dc.language.isoenges_ES
dc.publisherTaylor & Francis Groupes_ES
dc.relation.ispartofseries;vol. 62, nº 3
dc.relation.urihttps://www.tandfonline.com/doi/full/10.1080/00111619.2020.1822772es_ES
dc.rightsrestrictedAccesses_ES
dc.subjectBorgeses_ES
dc.subjectintertextual readinges_ES
dc.subjectCoetzeees_ES
dc.subjectnoveles_ES
dc.titleCoetzee’s Foe and Borges: An Intertextual Readinges_ES
dc.typearticlees_ES
reunir.tag~OPUes_ES
dc.identifier.doihttps://doi.org/10.1080/00111619.2020.1822772


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