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dc.contributor.authorde las Heras Fernández, Rosa
dc.contributor.authorPadilla, Victor
dc.contributor.authorEspada-Mateos, María
dc.contributor.authorde la Cruz, Zulema
dc.date2023
dc.date.accessioned2023-04-27T07:38:44Z
dc.date.available2023-04-27T07:38:44Z
dc.identifier.citationde Las Heras-Fernández, R., Padilla Martín-Caro, V., Espada, M., & de la Cruz, Z. (2022). Rhythmic Precision in Zapateado Flamenco: The Influence of Teaching Methods. Journal of Dance Education, 1-8.es_ES
dc.identifier.issn1529-0824
dc.identifier.urihttps://reunir.unir.net/handle/123456789/14577
dc.description.abstractFlamenco is widely practiced around the world, both in its musical and dance forms. It has been taught and studied through formal, non-formal, and informal teaching processes. Traditionally, it is taught through imitation and repetition and learned by ear. Zapateado is the percussive element of the dance. This study aimed to investigate whether a change in teaching strategy and resources could improve motivation and rhythmic precision when performing zapateado. The research used a quasi-experimental approach. Twelve professional flamenco dancers participated. The most significant results show that a change in methodology can encourage motivation and improve the rhythmic precision of zapateado.es_ES
dc.language.isoenges_ES
dc.publisherJournal of Dance Educationes_ES
dc.relation.urihttps://www.tandfonline.com/doi/citedby/10.1080/15290824.2022.2098301?scroll=top&needAccess=true&role=tab&aria-labelledby=cites_ES
dc.rightsrestrictedAccesses_ES
dc.subjectflamencoes_ES
dc.subjectrhythmes_ES
dc.subjectstrategyes_ES
dc.subjectteaching methodses_ES
dc.subjectzapateadoes_ES
dc.subjectScopuses_ES
dc.titleRhythmic Precision in Zapateado Flamenco: The Influence of Teaching Methodses_ES
dc.typeArticulo Revista Indexadaes_ES
reunir.tag~ARIes_ES
dc.identifier.doihttps://doi.org/10.1080/15290824.2022.2098301


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