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From Polarization to Hate: Portrait of the Spanish Political Meme
dc.contributor.author | Paz, María Antonia | |
dc.contributor.author | Mayagoitia, Ana | |
dc.contributor.author | González-Aguilar, Juan-Manuel | |
dc.date | 2021 | |
dc.date.accessioned | 2022-06-03T09:44:27Z | |
dc.date.available | 2022-06-03T09:44:27Z | |
dc.identifier.issn | 2056-3051 | |
dc.identifier.uri | https://reunir.unir.net/handle/123456789/13227 | |
dc.description.abstract | Political polarization in Spain has been aggravated by a left-wing coalition government and the rise of the extreme right in the context of health and economic crisis created by COVID-19. This article delves into the collective story that memes offer of this context and aims to establish a categorization that can be used for comparison with other countries. We carried out a content analysis of 636 Spanish political memes published on Twitter throughout 2020. Current affairs were taken into account, as well as the frame, and rhetorical elements, references to popular culture, and symbols. We also took into consideration the objectives of the message and the presence of offensive content. We demonstrate that these memes do not play a subversive role, but rather contribute to the polarization and fragmentation of the digital public, echoing the existing ideological confrontation. They do not deliver new ideas, but only reproduce expressions and disqualifications already existing in the society, although the disinhibition of anonymity magnifies the intensity. Current affairs are an excuse to convey ideological position, and political communication becomes more emotional. There are no significant differences in terms of political polarization between left and right, and criticism toward politicians is mainly of personal and moral nature. Hate speech on other social media appears in these cultural creations, highlighting the misogyny toward women politicians regardless of their political party. The rhetorical and expressive resources are adapted to this confrontation, and there is little innovation because it is subject to the understanding of the message. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | SAGE Publications Ltd | es_ES |
dc.relation.ispartofseries | ;vol. 7, nº 4 | |
dc.relation.uri | https://journals.sagepub.com/doi/10.1177/20563051211062920 | es_ES |
dc.rights | openAccess | es_ES |
dc.subject | frames | es_ES |
dc.subject | hate speech | es_ES |
dc.subject | memes | es_ES |
dc.subject | politics | es_ES |
dc.subject | Spain | es_ES |
dc.subject | Scopus | es_ES |
dc.subject | JCR | es_ES |
dc.title | From Polarization to Hate: Portrait of the Spanish Political Meme | es_ES |
dc.type | article | es_ES |
reunir.tag | ~ARI | es_ES |
dc.identifier.doi | https://doi.org/10.1177/20563051211062920 |
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