El modernismo en Barcelona para 2º de Bachillerato basado en el aprendizaje cooperativo
Autor:
Domènech-Santos, Valle
Fecha:
28/05/2025Palabra clave:
Tipo de Ítem:
masterThesis
Resumen:
El Modernismo en Barcelona constituye un movimiento artístico esencial en la Historia del Arte español, y, de manera particular, en el contexto cultural catalán. A pesar de su importancia, este tema suele estar tratado superficialmente en el currículo de Bachillerato, ya que se sitúa al final del programa, lo que provoca una comprensión limitada por parte del alumnado. Además, los métodos de enseñanza convencionales priorizan la memorización de datos con fines evaluativos, como la preparación para la EBAU, dejando a un lado enfoques más activos, críticos y conectados con la realidad del estudiante. En este trabajo se plantea una propuesta didáctica basada en el aprendizaje cooperativo, el cual favorece el trabajo en equipo, el pensamiento crítico y la participación activa del alumnado. Mediante dinámicas colaborativas y la inclusión de la salida de campo, se pretende acercar el Modernismo a los estudiantes de una forma vivaz y significativa, despertando su interés en el patrimonio artístico cercano. Así, se facilita un aprendizaje más profundo y contextualizado, donde el arte deja de ser un contenido para ser una experiencia transformadora en el aula. Esta propuesta ayuda también al desarrollo de competencias clave en el Bachillerato, como la apreciación del arte y la ciudadanía crítica.
Descripción:
Modernism in Barcelona represents a fundamental artistic movement in the history of Spanish art, particularly within the Catalan cultural context. Despite its significance, this topic is often addressed superficially in the High school curriculum due to its placement at the end of the Art History syllabus. As a result, students tend to develop a limited understanding of its historical, artistic, and cultural value. Additionally, traditional teaching approaches usually focus on rote learning and exam preparation, especially for the university entrance examination (EBAU), rather than promoting meaningful engagement with the content. This paper proposes a didactic unit that incorporates cooperative learning strategies to actively involve students in the process of discovering and analyzing Modernism. By working in small collaborative groups and participating in a field trip, students are encouraged to investigate, reflect, and build critical knowledge through experience. This approach not only enhances their appreciation of artistic heritage but also strengthens key competences such as teamwork, communication, and critical thinking. The proposal aims to make Art History more dynamic and relatable, moving beyond the textbook to connect students with their environment and cultural identity. Ultimately, this method helps integrate Modernism into the educational process as a relevant, transformative, and student-centered learning experience.
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